In the dactylic hexameters of Classical Latin and Classical Greek, for example, each of the six feet making up the line was either a dactyl (long-short-short) or a spondee (long-long): a "long syllable" was literally one that took longer to pronounce than a short syllable: specifically, a syllable consisting of a long vowel or diphthong or followed by two consonants.
The stress pattern of the words made no difference to the metre.
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(Within linguistics, "prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) An assortment of features can be identified when classifying poetry and its metre.
The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types.
Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
The study and the actual use of metres and forms of versification are both known as prosody.
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In poetry, metre is the basic rhythmic structure of a verse or lines in verse.
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In many Western classical poetic traditions, the metre of a verse can be described as a sequence of feet, each foot being a specific sequence of syllable types — such as relatively unstressed/stressed (the norm for English poetry) or long/short (as in most classical Latin and Greek poetry).